Freud Dreams




Freud's Interpretation of Dreams

Freud considered dreams to be the 'royal road to the unconscious' as it is in dreams that the ego's defences are lowered so that some of the repressed material comes through to awareness, albeit in distorted form.

Dreams both perform important functions for the unconscious mind and serve as valuable clues to how the unconscious mind operates.

On 24 July 1895, Freud had his own dream that was to form the basis of his theory. He had been worried about a patient, Irma, who was not doing as well in treatment as he had hoped. Freud in fact blamed himself for this, and was feeling guilty.

Freud dreamed that he met Irma at a party and examined her. He then saw a chemical formula for a drug that another doctor had given Irma flash before his eyes and realised that her condition was caused by a dirty syringe used by the other doctor. Freud's guilt was thus relieved.

freud dreams

Freud interpreted this dream as wish-fulfilment. He had wished that Irma's poor condition was not his fault and the dream had fulfilled this wish by informing him that another doctor was at fault. Based on this dream, Freud (1900) went on to propose that a major function of dreams was the fulfilment of wishes.

Freud distinguished between the manifest content of a dream (what the dreamer remembers) and the latent content, the symbolic meaning of the dream (i.e. the underlying wish). The manifest content is often based on the events of the day. The process whereby the underlying wish is translated into the manifest content is called dream-work. The purpose of dream work is to transform the forbidden wish into a non-threatening form, thus reducing anxiety and allowing us to continuing sleeping. Dream work involves the process of displacement, condensation and secondary elaboration.

Dream interpretation involves the translation of the (inevitably distorted) manifest content into the (truthful) latent meaning. Understanding the various distorting processes would help us to understand the latent meaning of a dream. The process of condensation is the joining of two or more idea/images into one. For example, a dream about a man may be a dream about both one's father and one's lover. A dream about a house might be the condensation of worries about security as well as worries about one's appearance to the rest of the world.

Displacement takes place when we transform the person or object we are really concerned about to someone else. For example, one of Freud’s patients was extremely resentful of his sister-in-law and used to refer to her as a dog, dreamed of strangling a small white dog. Freud interpreted this as representing his wish to kill his sister-in-law. If the patient would have really dreamed of killing his sister-in-law, he would have felt guilty. The unconscious mind transformed her into a dog to protect him. Condensation takes place when we combine different factors into one aspect of the manifest content. Thus a woman who has feeling angry feelings forwards her husband and father might dream of pushing a man, who represents both the father and the husband. Secondary elaboration occurs when the unconscious mind strings together wish-fulfilling images in a logical order of events, further obscuring the latent content. According to Freud this is why the manifest content of dreams can be in the form of believable events.

In Freud’s later work on dreams he explored the possibility of universal symbols in dreams. Some of these were sexual in nature, including poles, guns and swords representing the penis and horse riding and dancing representing sexual intercourse. However, Freud was cautious about symbols and stated that general symbols are personal rather than universal. A person cannot interpret what the manifest content of a dream symbolised without knowing about the person’s circumstances.

'Dream dictionaries', which are still popular now, were a source of irritation to Freud. In an amusing example of the limitations of universal symbols, one of Freud's patients, after dreaming about holding a wriggling fish, said to him 'that's a Freudian symbol - it must be a penis!' Freud explored farther and it turned out that the woman's mother, who was a passionate astrologer and a Pisces, was on the patient's mind because she disapproved of her daughter being in analysis. It seems more plausible, as Freud suggested, that the fish represented the patient's mother rather than a penis!


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Listen to a BBC radio broadcast about Dreams with Melvyn Bragg.

Listen to an ABC National Radio Broadcast: Who was the Wolf Man? Sigmund Freud, who was born 150 years ago this year, spent a long time analysing a patient he described as the Wolf man. But who was the Wolf man and what does Freud's treatment of him tell us about the philosophical question of the relationship between evidence and theory?

In Freudian Slips Lisa Appignanesi revisits five of Freud’s major works for their centenary.

Sexual Aberrations: Written in 1905, Freud's groundbreaking 'Three essays on the theory of sexuality' is one of the pillars on which modern psychoanalysis rests. In the first of these essays, 'Sexual Aberrations' Freud unravels the complex diversity of human desire. Lisa talks to author, Kathy Lette to find out why fetishism isn't too far from shopping and she meets writer and psychoanalyst, Adam Phillips to find out why Freud thought the sexual instinct is such an irresistible force.

Infantile Sexuality: The second of Freud's 'Three essays on the theory of sexuality' is his ground breaking and shocking exploration of the relationship between children and their parents. In 'Infantile Sexuality' Freud outlines why our experiences and frustrations in childhood form the basis for our adult neuroses. Lisa Appignanesi talks to psychoanalysts and writers to find out how Oedipus lives on today.

Transformations of Puberty: In The last of Freud's essays on sexuality he explains why the troubled adolescent has to relive childhood in a bid to leave home. Lisa talks to psychoanalysts working today to find out how the struggles of adolescence have changed over the course of hundred years. She also talks to writer, Sue Townsend to find out what inspired her to write about teenager Adrian Mole and what Freud might have made of him, now, aged 38 and 3/4.

Fragment of an Analysis of a Case of Hysteria: 'Fragment of an Analysis of a Case of Hysteria' is Freud's first great case history. Dora was brought to Freud for analysis by her father because of hysterical symptoms and threatened suicide. Dora rejected Freud's interpretations and fled before her treatment was over. Why did she leave and what did Freud learn from his apparent failure? Lisa talks to psychoanalyst and writer, Susie Orbach to find out why 'Dora' would lead to the invention of one of psychoanalysis's most important tools.

Wit and its Relation to the Unconscious: The Joke Book. In 'Wit and its relation to the Unconscious' Freud explained why the joke, like the dream provides a unique window into the unconscious. Lisa talks to comic Arnold Brown and therapist turned comedian Inder Manocha, to find out what drives the urge to make others laugh. She also talks to psychoanalysts David Bell to find out why we laugh, why we give ourselves away by our jokes and asks if there is a place for humour on the therapist's couch.

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